PROLOGUE: note to the studentWho is this course for? This course was originally written to be a component in a distance learning MA for teachers of English at Birmingham University. It focuses on linguistic aspects of English grammar rather than the rule-based grammar which learners may be more familiar with (such as Mind Your Grammar). It has been taught to BA English major students in both Sweden and Hong Kong, and is therefore appropriate for anyone studying English at an advanced level or teaching English as a second language. If you are studying to improve your English rather than linguistics, there is still a lot in this course which can help your understanding of how English works. For example, Lesson 5 "Functions of the sentence" gives a useful overview of the system of MOOD in English (questions or statements etc), and Part 2 (b) gives a detailed explanation of the use of DEICTICS in English (words like "the", "a", "this" or "my" which take their meaning from the context). This is one of the most difficult areas that learners encounter, and this section can serve as a useful reference for students. Part 2 (c) also has a full explanation of the use of adjectives in English - do you know the difference between "bored" and "boring" and why they are different? Part 3 may also be particularly useful for the language learner as it deals extensively with the the system of English verbs, and has a full explanation of TENSE and ASPECT, as well as the use of MODAL VERBS. What is "functional" grammar? The term
"functional" is used But before you start following these lessons, take some time to make sure you are familiar with the key concepts outlined below. THE CONCEPT OF SUBJECT The notion of subject is the most basic grammatical concept, and traditionally grammarians have identified three types of subject:- 1. psychological
subject -
the concern of the message, what is in the
speaker's mind (theme) These three concepts of subject correspond to the notions of theme, subject and actor which are generally used in grammatical analysis. In Halliday's "Introduction to Functional Grammar", these notions are understood in terms of the idea of the clause as message, the clause as exchange, and the clause as representataion. |
||||||||||||||||||||||||||||
| This car | John was given | by his father | ||||||||||||||||||||||||||
| PS | GS | LS | ||||||||||||||||||||||||||
| Theme | Subject | Actor | ||||||||||||||||||||||||||
| clause as | clause as | clause as | ||||||||||||||||||||||||||
| message | exchange | representation | ||||||||||||||||||||||||||
Analysis of clause structure These categories correspond broadly to the analysis of the clause in three categories:- 1. The clause as representation - the semantic structure of process, participants and circumstantial elements. 2. The clause as exchange - interactive speech roles, communicative functions. 3. The clause as message - information structure and textual meaning of the clause - thematic foregrounding (starting point), meaning derived from context. All clauses have these elements of meaning in some way. THE CLAUSE AS MESSAGE Basic information structure: topic / comment (also called theme - rheme) The theme occupies the first position in a clause:- |
||||||||||||||||||||||||||||
once upon a time |
||||||||||||||||||||||||||||
very carefully |
||||||||||||||||||||||||||||
on Monday |
||||||||||||||||||||||||||||
| A phrase may introduce a theme:- | ||||||||||||||||||||||||||||
as for, regarding etc |
||||||||||||||||||||||||||||
| thematic equative A = B | ||||||||||||||||||||||||||||
e.g what he said to me was the truth |
||||||||||||||||||||||||||||
|
Themes may also be verb themes: Choice of theme Themes are
marked or unmarked - this
refers to which clause element is chosen for foregrounding, and which is
most usual (unmarked ). Marked theme - in declarative mood,
this is typically
an adverbial or prepositional phrase Interrogative mood: this
is the basic question form.
2. WH - theme
Imperative mood:
|
||||||||||||||||||||||||||||
THE CLAUSE AS EXCHANGEThis concerns dialogue - the interaction that takes place between speakers and speech roles, what we do when we exchange goods, services, and information. In exchange of information the most complicated linguistic structures may be involved. In speech acts such as offers, instructions, requests and so on, language functions to achieve an end. Grammatical resources are highly developed for exchange functions, and the system which is most closely linked with interactive meaning and specific speech roles is the system of mood. |
||||||||||||||||||||||||||||
MOOD -> S + finite |
||||||||||||||||||||||||||||
| * The finite - this is a point of reference to here and now, and is realised through the grammatical systems of tense and modality. | ||||||||||||||||||||||||||||
THE CLAUSE AS REPRESENTATIONThis refers to the semantic structure of clauses - the process, participants and circumstances. This semantic structure expresses our deepest experience of reality - of being, doing, feeling, existing, happening. Clause structure organises experience as a semantic configuration. |
||||||||||||||||||||||||||||
| eg. | He | opened | the bottle | hurriedly | with a knife. | |||||||||||||||||||||||
| particip | process | particip | circumst | partic/circum | ||||||||||||||||||||||||
| actor | patient | instrument | ||||||||||||||||||||||||||
|
Processes are typically verb phrases, participants noun phrases, and circumstances prepositional or adverbial phrases. |
||||||||||||||||||||||||||||
|
Contents
|
Introduction
|